donald glover dating a white woman

We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where our audiences come from. To learn more or opt-out, read our Cookie Policy. Nabers, a Black woman, previously worked with Glover writing for his FX show Atlanta , a series that has been praised for its tender and complex depictions of Black men and widely critiqued for its caricatures of Black women. Swarm — with its two-dimensional main character, storyline cluttered with misogynistic and racist tropes, and dubious conclusions about Black women fandoms — is perhaps the show that, for me, solidified the opinion my college friend expressed a decade ago. Because his work is so obvious, it serves as the archive of this aggression. Think of it more like an animal and less like a person. Instead of merely popping up on the occasional lyric or episode, hostility and mockery toward us permeate the show. With Marissa, the object of her psychosexual obsession, gone, Dre starts to unravel.

Donald Glover Gets Dragged On Social Media After His Non-Black Girlfriend Is Finally Exposed

There are countless issues with Swarm , but perhaps its most glaring one is how it fails to understand or speak truthfully to its supposed subject, employing what feels like irresponsible misinformation. It also confuses viewers in a most unproductive way. There were even a few people online who seem to be wondering whether Dre is a real killer still on the loose. How can you claim to write a show that is exploring fandoms and mental health when you are stuffing it with an amalgamation of rumors and partially true stories, and calling it a meaningful statement? Consider his controversial Interview article where he interviewed himself. While it did cause a flurry of conversation, at its core it was tiring and confusing, and the ensuing social media noise spoke more to his troll-ish leanings than to his ability to give readers any real insight. It was nonsensical, but also a way to make light of the very real concerns and questions the public has had for over a decade about his portrayal of Black women in songs and on TV. Glover is playing the role of precocious auteur here, stomping his feet, not wanting to respond meaningfully to any criticism but still desiring to be regarded as a great artist, courting controversy and resenting the inevitable visibility the controversy garners. Everybody had a story about how they were roasted.

Glover has greatly benefited from hypervisibility, and yet perhaps understandably feels aggrieved by it. But through a lens where one sees themselves as a perpetual victim of visibility, whether that is a correct assessment or not, the behaviors of the public will perhaps always feel more aggressive or dangerous than they are. Glover knows what his reputation is with regards to Black women, and yet with Swarm , he chose to take a Black, queer, mentally ill woman and make her the avatar of violent stans. The song features the ramblings of a mentally ill fictional Eminem fan, who sees the rapper as his role model. None of this had happened. But the song was influenced by Eminem receiving disturbing fan mail that made him feel haunted by the idea that one of his fans would, one day, decide to copy the extreme violence depicted in his songs. To the celebrity, fandom is violent because of its sheer scale of demand and visibility. They lack the ability to see each fan as an individual and instead see them as a hive, as a swarm moving as one ominous cloud of danger, and through that lens, everything is magnified. Perhaps this is also how Glover has come to see Black women, as a dangerous horde of screeching banshees that he must endure, but never capitulate to. A disclaimer of my own: I am not a member of the Hive.

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Donald Glover’s White Partner Doesn’t Make Him Any Less Black

The political and racial significance of Lemonade is stripped here, removing the Black Southern specificity of the album and how it explored generational trauma, slavery, and police brutality. She is not sacred. However, why would a friend and peer construct a poorly made parody of what was, according to every indication, an incredibly personal album exploring infidelity, generational trauma, miscarriage, and motherhood? I have no intelligent insight to offer but this — it felt low, and mean. When I tweeted about the misogynoir in Swarm , countless internet strangers rushed in to accuse me of erasing the Black women who worked on the show, including co-creator Janine Nabers and writer Malia Obama. But Black women are also capable of rendering other Black women into caricatures for the screen.

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And that was great because that allowed us to have a clear blueprint to relay when we assigned our writers, all of whom are Black. Nabers later compares the love Dre has for Marissa to the love she has for her mother and sister, seemingly forgetting that the show starts with Dre non-consensually watching Marissa copulate with her boyfriend. These are nonsensical contradictions coming from both creators, a mishmash of words about empowerment and mental health and craft, all to disguise that they were given a bunch of money to troll viewers. Nylah Burton is a Chicago-based writer who covers entertainment, travel, and lifestyle. You can find her on Instagram. Most news outlets make their money through advertising or subscriptions. First, advertising dollars go up and down with the economy.

Donald Glover Allegations Explained as Black Women Remarks Raise Questions

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Michelle White Is Donald Glover’s Partner and the Mother of His Children - Get To Know Her

Check your inbox for a welcome email. Email required. Something went wrong. Please enter a valid email and try again. By submitting your email, you agree to our Terms and Privacy Notice. You can opt out at any time. For more newsletters, check out our newsletters page. The Latest. How bats carry deadly diseases without dying By Kimberly Mas. We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where our audiences come from.To learn more or opt-out, read our Cookie Policy. Nabers, a Black woman, previously worked with Glover writing for his FX show Atlanta , a series that has been praised for its tender and complex depictions of Black men and widely critiqued for its caricatures of Black women. Swarm — with its two-dimensional main character, storyline cluttered with misogynistic and racist tropes, and dubious conclusions about Black women fandoms — is perhaps the show that, for me, solidified the opinion my college friend expressed a decade ago. Because his work is so obvious, it serves as the archive of this aggression. Think of it more like an animal and less like a person.